Publisher/毎日新聞社

Google翻訳
The 1982 issue of "Camera Mainichi," a magazine that led the postwar photography world. Akira Suei has been the editor-in-chief since 1981, and Nobuyoshi Araki has become the main character. Daido Moriyama, who had fallen into a slump since the mid-1970s, will be revived. The composition of "photographs that cannot be taken up by" was picked up, and the composition that aroused the desires of men and the orthodox photographs of Moriyama et al. Was a big hit, and the camera magazine of the newspaper company was in a state of being pushed. However, with the rise of Issei Suda, Miyako Ishiuchi, Seiji Kurata, and others, including the light and shadow of Moriyama, this year's Camera Mainichi is full of highlights. Of particular note are Mao Ishikawa's maiden work "Hot Days in Camp Hansen" (July issue) and Masahisa Fukase's masterpiece "Crow-Final Chapter" (October issue), which were canceled shortly after their release.