Publisher/日本大学芸術学部写真学科

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This is the first issue of the critique magazine "Photo Critica" published by the Nihon University College of Art, Department of Photography Science. It is written in the postscript of this book, and Koen Shigemori of Tokyo College of Photography also mentioned it when he published the critique magazine "Photo Criticism" in the 1970s, but compared to photographic works, research materials and It seems that the overwhelming shortage of criticism magazines was the reason for the publication. The contents are: ● From the special feature 1. From overseas photographers (above) "Eugene Atget" (Takahiko Okada), "Moholy Nagy" (Kiyoji Otsuji), "Robet Capa" (Shoichiro Kobayashi), "Richard Avedon" "(Shuji Terayama)," William Klein "(Takuma Nakahira). Part 2. What was the photograph (above), "The position of photography in movies" (Susumu Okada), "What is mode photography?" (Seiichi Horiuchi). Part 3. From various issues among critics, "A essay on the realism of photography that asks the" position "of criticism (Kouen Shigemori)," About the value standard of photo criticism "(Ikko Ito)," Christ Game to Save Sinners " (Seiji Omatsu), ● From Essay, "Time full of irrationality" (Yutaka Takanashi), "Personal position brought about by amplitude" (Masahisa Fukase), ● From book review, "Ikko Narahara'Still time'" (Ryoyoshi Yano) ), "Shomei Tomatsu" Japan "" (Naoki Yanagimoto).