Publisher/Gagosian London

Google翻訳
"Nature Morte" is a collection of works by Thomas Ruff, a photographer representing contemporary Germany. In 2016, Thomas Ruff remembers Japan's first major retrospective exhibition that traveled from the National Museum of Modern Art, Tokyo to the 21st Century Museum of Contemporary Art, Kanazawa. Along with Andreas Gursky and others, he is one of the so-called "Bechers" who learned from Bernd and Hilla Becher, but when Gursky maximized the resolution and raised it to the point where he could "see what he could not see", Rufu was digital. He is an artist who continues to challenge the construction of new photographic concepts, such as depictions such as processing and 3D images that "cannot see what you can see" and reconstruction by processing existing images. Both are the leaders of modern photography in the 21st century, but they are composed of still photographs of plants produced by "photograms" often used by Man Ray and others in the traditional way. By doing it digitally, a unique world view that fuses ancient and modern methods is created. As a result, the texture and image are unique, both as a means and as a work.