Publisher/毎日新聞社

Google翻訳
January-December 1965 issue of the photo magazine "Camera Mainichi" (12 volumes in total). Shoji Yamagishi, the editor of Camera Mainichi, is one of the leaders in Japanese photography in the 1960s. As the de facto editor-in-chief, he has the authority to compose the magazine, and from around the 1963 issue, Yamagishi Color gradually began to flourish in the magazine, and young photographers such as VIVO and Kishin Shinoyama and Yutaka Takanashi appeared. start. Then, in the April issue of 1965, Yamagishi's name spread to the photography world at once with a new move to introduce Yoshihiro Tatsuki's "Tongue out angel" roughly using the first 56 pages. To go. Then, in the November issue of the same year, Ikko Narahara's early masterpiece featured "Still Time" set in Europe over 36 pages. That effort will lead to Yutaka Takanashi's "Tokyojin" in the January 1966 issue. The challenge of Yamagishi et al. Was the 1965 edition that solidified the position of the camera every day. Shomei Tomatsu and Masahisa Fukase will also appear everywhere.