Publisher/写真評論社

Google翻訳
Japan and Japan always have a high level of awareness of issues, such as the desire for peace centered on the wounds inside the wartime factions such as Nagasaki and Okinawa, criticism of civilization and politics from a keen point of view, and throwing at human involvement in nature and materials. Shomei Tomatsu, one of Japan's leading photographers after the war, has continued to pursue the original image of human beings. Exhibitions are often held in Europe and the United States, and are highly evaluated worldwide. This book was published in 1972 by re-editing the works published in Camera Mainichi, Asahi Camera, Chuo Koron, etc. in the 1960s. Speaking of the 1960s, Higashimatsu was repulsed by the boredom of going back and forth on a certain course every day and the lack of reality, and lived a life without a specific residence. Here's a true professional work that sticks to stoic photography to bet everything on'seeing'and amplify the reality of seeing. Missing slip case. (Recorded in The Japanese Photobook 1912–1990)