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"Bifu No. 2" is a photo magazine centered on Kenshichi Heshiki, a photographer who represents Okinawan photography after the war. From the latter half of the 1970s to the 1980s, media such as "Camera Mainichi" and "Asahi Camera" lost their power, and photographers gradually became the main battlefield for their work presentations in "photobooks" and "gallery". The trend of photographers themselves launching gallery and publishing photo books in private editions has increased. In Okinawa, a photo magazine called "Photoshin" was published in the 1970s, followed by "Bifu". It was created mainly by Kenshichi Heshiki, who has a lot of creativity and attracted attention in "Goat's Lung". "Tokoro" and "Iejima" by Moriwa Kaneshiro are included. It is one of the photo magazines that makes a name for itself in postwar photographs with the passion of photographers, such as cover illustrations that are particular about each issue while having a handmade appearance.