Publisher/RM

Google翻訳
A collection of photographs by a representative female photographer, Miyako Ishiuchi. The early trilogy “Zessho / Yokosuka Story”, “Apartment” and “Street of Night” announced around the 1980s are known as masterpieces that have their names in Japanese photography history. Since the 1990s, he has been eager to create close-ups of time and memories, such as “1, 9, 4, 7”, “1906 to the Skin”, “Mothers”, “Scars”, and “Hiroshima”. This book is also a work that draws on that trend, and is a book composed of illustrations of photographs of the remains of the great Mexican female artist Frida Kahlo. Frieda's remains that appeared after 50 years of death. A project to photograph the relics was started by the curator's idea, and Miyako Ishiuchi received the request. A document that “records” the “proof” and “memory” of Frida who lived as a self-supporting female artist without losing physical inconvenience, political instability, or the wave of modernization. The whole picture of “Frieda's daily life” such as folk costumes, accessories, cosmetics, medicines, corsets, etc. is revealed for the first time by the hands in Ishiuchi. English / English Edition.