Google翻訳
The second work collection of the coterie "Provoque" by Koji Taki, Takuma Nakahira, Yutaka Takanashi and Takahiko Okada. Daido Moriyama has also joined since this issue, and the text of Okada and the work of four photographers are recorded under the theme of "Eros / Eros". By the way, although it will be appeared in many works of the illustration of "Eros" which Moriyama photographed, and the work after this, Araki Keisuke who was a fan of Provoke at the time of Dentsu's employees at that time is a work of "Affair" of this Moriyama I wondered if it was my first choice. Not only Araki, but also provoks who have made a great contribution to fostering a sense of problems with those who take pictures of "What is a photo?" And "Why do you take pictures?" Speaking Higashimatsu lighting. Not only did he break away from "realism" proposed by Fumi Domon et al., He quickly made efforts to avant-garde photographic expression from the post-war period, but he also turned Takuma Nakahira into a "photographer" when he met with Higashimatsu. There are also contact points between Nakahira and Moriyama, and Nakahira and Taki, all of which were born from Higashimatsu. Don't miss the fact that a great predecessor and key person was behind the shadow of Provoque. Signed by Moriyama.