Publisher/青弓社

Google翻訳
A collection of works by Kazuo Nishii (1946-2001), one of Japan's leading photo critics, "Why is it still" Provoke "?" A few years ago, an exhibition titled “Nissha no 1968” was held at the Tokyo Metropolitan Museum of Photography, among which photograph historian Ryuichi Kaneko spelled out the discussion with 1968 as a turning point. Next to Shoji Yamagishi, the editor of the camera's specialties every day, “Provoque” and its surroundings, spoken by Kazuo Nishii, who also edited this magazine and conducted numerous reviews. Contemporaneously with those who have lived the revolution of "I" in photography without avoiding confronting the great propositions of "what is photography", "what is photographer", "why do you take" A collection of works published to ring the alarm in the photographic world that has yet to escape the Provoque spell while touching Shigeo Ushito and Nobuyoshi Araki. Although the text is the main, illustrations of all three Provoques are also included, and it is a book that is worth seeing and reading.