写真誌 美風 第10号 / Bifuu Vol.10

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Publisher/Self-Published(私家版)

   Published/1988
Format/ソフトカバー   Pages/45   Size/298*210*3
Google翻訳
A photograph collection by photographer Kenshichi Hirashiki and Mao Ishikawa, a representative of Okinawa. Kenshi Hirashiki who became a person at the time of the break by being featured at the Sunday Museum of NHK. While there are many photographers starting from the “Okinawa problem”, Hirashiki is a photographer who has followed Okinawa with an internal gaze. Although he was a photographer with artistic skin who had a deep relationship with artists such as the painter Michiko Kaneshiro, he passed away in 2009 due to pneumonia. On the other hand, in recent years, a photograph book has been published by overseas publishers, and female photographer Mao Ishikawa has been attracting worldwide attention. He is a photographer who has deeply interacted with US soldiers, worked at a black bar himself, and continues to capture women who continue to live strongly and robustly, and still stick to "Okinawa" and continue to create. This book is a fanzine published mainly by two photographers representing the area.This issue is Ishikawa's masterpiece "Minatomachi Elegy" "Soul of Flamenco" by Taira Yamada, Tatsuhiko Kano, Works by Toshio Jomma, Kyoo Kobashikawa, Mitsuo Miyagi, and Mitsunaka Makoto are recorded.
<Related Artists> 石川 真生 / Mao Ishikawa平敷 兼七 / Kenshichi Heshiki伊志嶺 隆 / Takashi Ishimine
<Condition> Body: Small scratches, scratches, stains
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