Google翻訳
This is the second issue of the photography magazine "Shashin Seikatsu" (Photo Life), published in March 1985, which was first published in January 1985. The media that led the "history of photography" in postwar Japan were "Camera Mainichi" and "Asahi Camera," which were continuously published by the Mainichi Shimbun and Asahi Shimbun, respectively. However, as symbolized by the discontinuation of Camera Mainichi in 1985, camera magazines gradually lost their power, and in their place emerged magazines such as "Shashin Jidai" (main contributor: Nobuyoshi Araki), "Ryuko Shashin" (main contributor: Masahisa Fukase), and this magazine, "Shashin Seikatsu" (main contributor: Akira Ishigaki), which picked up on the kind of photographs that the more conservative camera magazines of newspaper companies would not cover. While including documentaries and snapshots by so-called orthodox photographers such as Masatoshi Naito and Michio Yamauchi, the magazine also attracted male fans who were not camera enthusiasts by focusing on erotic works by Ishigaki and others. This issue features not only the aforementioned photographers, but also masters such as Tadashi Endo and Hirofumi Kinoshita, as well as Kazunori Fujita.
