Publisher/朝日新聞社

Google翻訳
``Dueling Photography Theory'' co-authored by Takuma Nakahira, one of Japan's leading photographers, and Kishin Shinoyama. Nakahira, who transitioned from being a critic to a photographer, continued to take photographs desperately until around 1970, but there was a time when he got tired of doing the same thing over and over again and took a break from photography for a while. His wife ran away from him, and he lived the life of a hustler, receiving 3,000 yen in pocket money from his father and going to the billiard hall. The photographers who inspired Nakahira to return to the world of photography were masters Walker Evans, Eugene Atget, and Kishin Shinoyama. Around that time, Nakahira saw a copy of ``A Sunny Day'' that Shinoyama sent to him, and the illustrations were so healthy and full of energy that he wondered, ``Are there other photos like this?'' and a rediscovery of photography was born in Nakahira. Ta. At that moment, I received a request from the editorial department of Asahi Camera for ``Dueling Photography''. The series, in which Nakahira responded to Shinoyama's illustrations with text, continued for nearly a year. . Commentary by Genpei Akasegawa. It was reprinted as a paperback (softcover) in 1995, but this book was first published in 1977 and is a hardcover. Missing obi.