Publisher/毎日新聞社

Google翻訳
The 1984 issue of "Camera Mainichi," a magazine that led the postwar photography world. Akira Suei has been the editor-in-chief since 1981, and Nobuyoshi Araki has become the main character, and Daido Moriyama, who had fallen into a slump since the mid-1970s, will be revived. The composition that picked up "photographs that can't be seen" and interweaves the eroticism that arouses the desires of men and the orthodox photographs of Moriyama et al. Was a big hit, and the camera magazine of the newspaper company was in a state of being pushed. And, unfortunately, in 1985, the publication of Camera Mainichi was suspended, but from the current point of view, the charms of Daido Moriyama and Nobuyoshi Araki, which are different from those of the 1970s, and Hiroshi Yamazaki Introducing Masatoshi Naito's masterpieces "Heliography" and "Tokyo" in the 1980s, and actively announcing works by post-Moriyama generations such as Miyako Ishiuchi and Seiji Kurata. It has become.