Publisher/Steidl & Edition 7L

Google翻訳
A collection of photographs by Daido Moriyama, a leading photographer in postwar Japan. Following "Nippon Theater Photobook" (1968), Daido Moriyama is the second photo book by himself, and is regarded as the best book even in the turbulent 1960s and 90s of Japanese photography. Provoke, a provocative group launched by the encounter with Takuma Nakahira and others in the 1960s, who continued to search for his own style as a photographer while being influenced by the styles of various pioneers. After that, Moriyama was still struggling. Among them, a collection of unprecedented avant-garde works composed of non-principle copying of TV etc. and cuts of negatives of the shutter sky, denying "photo reality" such as Niepce and newspaper photography. Created. "A photo that doesn't have a single skepticism about what a photo is." The aversion to such a photo and the feeling of disagreement are strongly contained in the "plate" and "title". The dialogue with Takuma Nakahira at the end of the book is also a very interesting book. This book is a reprint version published by Steidl & Edition 7L in 2001 (when "Japanese Box" was released). Autographed by a photographer .