Publisher/Akio Nagasawa Publishing

Google翻訳
This book is a collection of catalog works published at the exhibition "Tokyo; Daido Moriyama, Shomei Tomatsu" scheduled to be held at Maison Europenne de la Photographie (MEP) in Paris in 2020. In the Japanese photography world, it is no exaggeration to say that the 1960s was the era of Higashimatsu and the 1970s was the era of Moriyama (by the way, the 1980s was the era of Araki). He moved to Tokyo and became an assistant to Eikoh Hosoe, but perhaps Moriyama was most influenced by Higashimatsu during this period, and he was impressed by sneaking a peek at Higashimatsu's prints at night. say. However, Moriyama, who did not have the bottom of social and documentary like Higashimatsu, tried to establish his own style from the superficial part in the 1960s. I'm looking forward to a project that focuses on these two people, but due to Corona, the exhibition has been delayed and the catalog has been announced first. Moriyama's disguised portrait "Hana no Kanbase" released by Higashimatsu in the 1970s will be on the cover (By the way, "Hana no Kanbase" is also included in this book, including Fukase and Araki). A / P version. A set of 3 photo books of Higashimatsu and Moriyama and a textbook.