Publisher/毎日新聞社

Google翻訳
The May 1966 issue of "Camera Mainichi," a photo magazine that led Japanese photography in the 1960s and 1970s after the war. From 1965 of the previous year, Yoshihiro Tatsuki's "Tongue out angel" and Ikko Narahara's "Disappearing time" were taken up extensively over dozens of pages, and in 1966 Yutaka Takanashi's "Tokyojin" was taken up on 36 pages. Posted over. While producing a number of star photographers, in the 1970s he also introduced a publicly-offered work entitled "Album", which laid the foundation for postwar Japanese photography as an indispensable magazine for professionals and amateurs. Camera Mainichi, and the core member was Shoji Yamagishi, the editor (substantially editor-in-chief). In this issue, "The sea has gone" (Yanagisawa), starting with the works of Yoshihiro Tatsuki's "Senorita" and Kishin Shinoyama's serialization "Ad / Balloon 5", which became one of the stars throughout Camera Mainichi. Shin), "One Week on the Tamagawa Embankment" (Jun Miki), "Asakusa" (Issei Suda, Akira Kageyama), "Hito" (Jun Kanenaga), "White Kingdom" (Takakazu Yokoi), "Landscape New York / USA" "(Akira Sato) etc. are recorded.