Publisher/毎日新聞社

Google翻訳
The August 1968 issue of the camera magazine "Camera Mainichi," which flourished from the 1960s to the 1970s. In the 1960s, not only the leaders of postwar Japanese photography such as VIVO's Ikko Narahara, Shomei Tomatsu, and Akira Sato, but also young commercial photographers such as Yoshihiro Tachiki, Norio Shinoyama, and Yutaka Takanashi, actively photographed Daido Moriyama and others. Introduced to the world and reigned as a gateway to photographers. Since the 1970s, the system of posting in the manuscript fee style, rather than the prize money contest entitled "Album", has been booming, and every day the camera has abolished the boundaries of professional amateurs and focused on the possibilities of photography. Among them, the most brilliant works published in the February 1968 issue of Camera Mainichi in the latter half of the 1960s are "Hokuriku Kaido" (Daido Moriyama), "Four Dogs" (Shigeo Gocho), and "A TOMBOY" (Nakamura). Masaya), "New Japan Journey 4" (Shin Yanagisawa), "Human Flower Garden Final Yama suffers" (Haruo Tomiyama), etc.