Publisher/朝日新聞社

Google翻訳
"Camera Mainichi" by editor Shoji Yamagishi and "Asahi Camera" by editor Takayuki Komori. It is no exaggeration to say that the foundation of postwar Japanese photography, sometimes referred to as the "golden 60's and 70's," was created by them. It was Yamagishi who first published Moriyama's work in 1965, and published "Yokosuka" in the August issue of the same year. Three years later, Komori has released Moriyama's work with Asahi Camera since 1968. After that, as Yamagishi said, "Moriyama was taken by Asahi," collaboration and serialization continued almost every year. In 1969, under the title of "Accident," Moriyama's ambitious serialization of the facts of accidents and incidents and the duality of the fictional world that photographs tell through a camera began with Asahi Camera, and in the August issue of the same year, "Stara" "Is posted. In addition, Kenji Ishiguro "Breakfast", Shozo Watari "Fuyuhi Fishing Village", Shinzo Hanabusa "Korean in Japan", Naoki Yanagimoto "Kobe Kosho", etc. are also included.