Google翻訳
Japanese photographer Kiyoshi Niiyama (1911-1969) 's photobook "Sornton era 1947-1969". Niiyama started taking photographs with the "Pallet Camera" in 1936. In 1945, the Institute of Science and Technology, which had been working for him, was dissolved and returned to Ehime, but he returned to Tokyo in 1952, and from 1958 the editor and photographer Hachiro Suzuki, who also worked as a guide for amateur photographers. Worked at Asahi Optical Trading Co., Ltd. and died suddenly in 1969. Niiyama, who had been a amateur for his entire life and had a lot of success in winning many public offerings, was the "Sorn Tong Camera" that he got from the SLR shortly after the war. This book, named after Niiyama's favorite machine, focuses on works taken in the 1950s after the war. Niiyama's works are cross-cut, from pastoral scenery to portraits of the children of the Showa era, and photographs of the geometric composition with the chapter "Molding". "Japanese and neat formality with a focus on light and shade of black and white, gradation," said photographer Tokuhiko Matsumoto, and also photographer Herbie Yamaguchi, "a trend, income, and evaluation from the photography world. "This innocence doesn't make his photos old," says Niiyama. Missing obi.