Publisher/クレオ

Google翻訳
A collection of works by the photographer Kazutaka Narahara, who was regarded as a flag bearer of postwar Japanese photography. In the latter half of the 2010s, after the solo exhibition “Kingdom” at the National Museum of Modern Art, Tokyo, the exhibition attracted attention both in Japan and overseas, and in recent years, exhibitions focused on “human land” and “Spain” have been held at domestic art museums. Reprinted photobooks of the works that have been made are also published frequently. From a documentary set in Japan to a conceptual filmed overseas, a variety of Japanese and Western styles full of intelligence and sensibility still attract many people. Speaking of Narahara's debut work, it is said to be "human land", but in fact there is a substantial debut film that was filmed in the previous student days. That is the "statelessness". The boy who survived the war was attracted by the “ultimate nothing” lurking in the post-war munitions factory and artillery arsenal, which became “ruins”, and he became crazy and released the shutter. From the following, “The barren” itself began to become a clue to living. The ultimate tranquility of the civilization in the ruins became the departure of the future. ” With OBI.