Google翻訳
In the February 1963 issue of the art magazine Art Bijutsu, “Tokyo” by Tomatsu Lighting is included as a special feature. It seems to be an art form, not a reportage element, but a series of images with a strong “artisticity”, such as an abandoned garden with an abstract image. However, Higashimatsu Lighting also disliked that his work was described as "art", but at that time Kobo Abe said, "Only those who could endure despairing and denying art could create art again. ”Is left in a certain magazine. And when he reached Hiroshi Manabe, he called Higashimatsu “the conscience of photography”. . Although only 8 illustrations are recorded, the color and monochrome gravure are very beautiful. In addition, the object "Mawaru Mawaru" produced by Kiyoji Otsuki and the newcomer appearance frame featured Akasegawa Harahira, and Yusuke Nakahara spelled a unique text and felt the artistic atmosphere of that era. One book.