Publisher/朝日新聞社

Google翻訳
Japan's leading photographer Takeshi Iwamiya's photo collection “Sado / Sado”. In the old days, Daido Moriyama served as an assistant, and photographer Inoue Seiryu, who represents Kansai, known for “Kagasaki” and “Amami”, and a masterpiece that engraves its name in the history of Japanese photography known as “touch landscape” Takeji Iwamiya, who is said to be a heavyweight who led the post-war Kansai photographic world with Yasugino Sugino as his disciple. Speaking of masterpieces, the “Katachi-” series depicts the functional and traditional beauty of Japan. Traditional beauty of Japanese “things”, such as the beauty of history, the beauty of function, the beauty of shape (formation), the beauty of colors, and the like, through the use of living tools such as shrines and temples and kimonos I continued to describe the beauty. A collection of works by Sado, which can be said to be the representative work of Iwamiya, where this book is lined up in the form. For Iwamiya, who was born in Tottori Prefecture and grew up looking at Oki Island from the mainland, Sado also nurtured the love of island love. A masterpiece full of lyricism that spelled Elegy in Kojima who has accepted many fluent people. Limited to 2,000 copies.(collected in The Japanese Photobook 1912–1990)