Publisher/東京国立近代美術館

Google翻訳
Japanese photographer Ikko Narahara's photo book "Kingdom / Domains". He made a shocking debut in "Human Land (1956)", which presented the fundamental situation of "Nature and humans" and "Social mechanism vs. humans" as a "personal document", and has consistently made "logic" and "intelligence" since then. Kazutaka Narahara has continued to release large-scale works that are a perfect fusion of "sensitivity". In the 1960s and 1970s, he formed "VIVO" with Shomei Tomatsu, Kikuji Kawada, and Eikoh Hosoe, and through his stay in Europe centered on Paris and the United States centered on New York, "Europe: Still Time" (1967) ) Released "Disappearing Time" (1975), and produced a number of masterpieces representing postwar Japan such as "Japanesque" (1970) and "Kingdom" (1970), which portrayed Japan re-recognized after returning from a foreign stay. I'm a photographer. This book is a collection of works published at the exhibition "Kingdom" held at the National Museum of Modern Art, Tokyo in 2014. A documentary that depicts the daily lives of people living in extreme conditions, isolated from the societies of "monasteries" and "prisons." Includes 90 early masterpieces that were announced in 1958 and established the reputation of photographer Ikko Narahara.