Publisher/中央公論社

Google翻訳
A collection of photographs by Japanese photographer Haruo Toyama. Haruo Toyama, who works as a commissioned photographer for “Women'sself” and “Asahi Shimbun” after the war, is known for his work depicting the turbulent period of high growth since the 1960s. And this is the sixth edition of the “Contemporary Video” series of works by leading photographers at that time. Introducing the interesting text of Shoji Yamagishi, the camera's daily specialty editor. “While staying in Paris, I had the opportunity to show Henri Cartier-Bresson a Japanese photographer. The same generation's photographs of Daido Moriyama and Masahisa Fukase say“ It ’s like a plastic. Bresson, who refused to say “Nonsense”, argued that my objection was “Society and the times are not sick. Photographers are just sick.” Toyama's series of works turned into an expression that I got my will, “I couldn't even do this. I immediately jumped out of the house with a camera. There are young people in Japan who take such wonderful photos. "I was admired." According to Yamagishi, “Clear and dynamic images of Toyama have the power to squeeze into the actual cross-section that we might miss.” Signed. With OBI.