Google翻訳
This is the August 1985 issue of the photography magazine "Shashin Seikatsu," which was first published in January 1985. The media that led the "history of photography" in postwar Japan were "Camera Mainichi" and "Asahi Camera," which were published by the Mainichi Shimbun and Asahi Shimbun, respectively. However, as symbolized by the discontinuation of Camera Mainichi in 1985, camera magazines gradually lost their power, and in their place emerged magazines such as "Shashin Jidai" (main contributor: Nobuyoshi Araki), "Ryuko Shashin" (main contributor: Masahisa Fukase), and this magazine, "Shashin Seikatsu" (main contributor: Akira Ishigaki), which picked up on the kind of photography that would not be covered in the more conservative camera magazines published by newspapers. While including documentaries and snapshots by so-called orthodox photographers such as Masatoshi Naito and Michio Yamauchi, the magazine also attracted male fans who were not camera enthusiasts by focusing on erotic works by Ishigaki and others. In this issue, not only the photographers mentioned above, but also big names such as Kenji Ishiguro and Kohei Yoshiyuki, who have been undergoing a re-evaluation both domestically and internationally in recent years, participated.
